hyperreal cartography & the unrealized city
maps of real places that don't exist.
hyperreal cartography & the unrealized city
maptitude1:

This map, by Jake Coolidge, shows a hypothetical expanded transit system in Chicago.
What Old Transit Maps Can Teach Us About a City's Future
The Utopian City That Wasn’t
maptitude1:

This gif show the expansion of the city of Paris from 300 A.D to 1850 A.D.
design-is-fine:

Mario Chiattone, House and apartments VII, 1915. Italy. Source
mapsontheweb:

Map of Washington D.C. in 1815.
mapsontheweb:

Unexpectedly interesting map of Canada - does anyone know what’s going on here
George Washington Bridge as it's designers intended
ZoomInfo
thekhooll:

Facsimile Murat Germen
“Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”
thekhooll:

Facsimile Murat Germen
“Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”
thekhooll:

Facsimile Murat Germen
“Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”
thekhooll:

Facsimile Murat Germen
“Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”
thekhooll:

Facsimile Murat Germen
“Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”
thekhooll:

Facsimile Murat Germen
“Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”
thekhooll:

Facsimile Murat Germen
“Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”
thekhooll:

Facsimile Murat Germen
“Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”
thekhooll:

Facsimile Murat Germen
“Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”
thekhooll:

Facsimile Murat Germen
“Cities may seem to grow only upwards, but they actually accommodate two different worlds: First being the obvious Überland, the city over the ground level; and the other Unterland, the underground. Even though soundly developed metropolises have a very intricate and large underground infrastructure, the most lived, experienced and perceived urban world appears to be the one above: Überland. Unterland is usually ignored, misperceived, underestimated and not particularly pleasing by many; since the times we spend in the Unterland is usually temporary and we do not reside there.”
ZoomInfo
thekhooll:

Antonio Sant’Elia
My senior project in Architecture School owed a lot to this architect. For a brief while I became obsessed with the ideas and aesthetics that he taught. Antonio Sant’Elia was an Italian architect, that left no built legacy but was a key member of the Futurist movement in architecture. The manifesto Futurist Architecture was published in August 1914:
"COMBAT AND DESPISE:
All the pseudo-architecture of the avant-garde, Austrian, Hungarian, German and American;
All classical architecture, solemn, hieratic, scenographic, decorative, monumental, pretty and pleasing;
The embalming, reconstruction and reproduction of ancient monuments and palaces;
Perpendicular and horizontal lines, cubical and pyramidical forms that are static, solemn, aggressive and absolutely excluded from our utterly new sensibility;
The use of massive, voluminous, durable, antiquated and costly materials.
AND PROCLAIM:
Read More
thekhooll:

Antonio Sant’Elia
My senior project in Architecture School owed a lot to this architect. For a brief while I became obsessed with the ideas and aesthetics that he taught. Antonio Sant’Elia was an Italian architect, that left no built legacy but was a key member of the Futurist movement in architecture. The manifesto Futurist Architecture was published in August 1914:
"COMBAT AND DESPISE:
All the pseudo-architecture of the avant-garde, Austrian, Hungarian, German and American;
All classical architecture, solemn, hieratic, scenographic, decorative, monumental, pretty and pleasing;
The embalming, reconstruction and reproduction of ancient monuments and palaces;
Perpendicular and horizontal lines, cubical and pyramidical forms that are static, solemn, aggressive and absolutely excluded from our utterly new sensibility;
The use of massive, voluminous, durable, antiquated and costly materials.
AND PROCLAIM:
Read More
thekhooll:

Antonio Sant’Elia
My senior project in Architecture School owed a lot to this architect. For a brief while I became obsessed with the ideas and aesthetics that he taught. Antonio Sant’Elia was an Italian architect, that left no built legacy but was a key member of the Futurist movement in architecture. The manifesto Futurist Architecture was published in August 1914:
"COMBAT AND DESPISE:
All the pseudo-architecture of the avant-garde, Austrian, Hungarian, German and American;
All classical architecture, solemn, hieratic, scenographic, decorative, monumental, pretty and pleasing;
The embalming, reconstruction and reproduction of ancient monuments and palaces;
Perpendicular and horizontal lines, cubical and pyramidical forms that are static, solemn, aggressive and absolutely excluded from our utterly new sensibility;
The use of massive, voluminous, durable, antiquated and costly materials.
AND PROCLAIM:
Read More
thekhooll:

Antonio Sant’Elia
My senior project in Architecture School owed a lot to this architect. For a brief while I became obsessed with the ideas and aesthetics that he taught. Antonio Sant’Elia was an Italian architect, that left no built legacy but was a key member of the Futurist movement in architecture. The manifesto Futurist Architecture was published in August 1914:
"COMBAT AND DESPISE:
All the pseudo-architecture of the avant-garde, Austrian, Hungarian, German and American;
All classical architecture, solemn, hieratic, scenographic, decorative, monumental, pretty and pleasing;
The embalming, reconstruction and reproduction of ancient monuments and palaces;
Perpendicular and horizontal lines, cubical and pyramidical forms that are static, solemn, aggressive and absolutely excluded from our utterly new sensibility;
The use of massive, voluminous, durable, antiquated and costly materials.
AND PROCLAIM:
Read More
thekhooll:

Antonio Sant’Elia
My senior project in Architecture School owed a lot to this architect. For a brief while I became obsessed with the ideas and aesthetics that he taught. Antonio Sant’Elia was an Italian architect, that left no built legacy but was a key member of the Futurist movement in architecture. The manifesto Futurist Architecture was published in August 1914:
"COMBAT AND DESPISE:
All the pseudo-architecture of the avant-garde, Austrian, Hungarian, German and American;
All classical architecture, solemn, hieratic, scenographic, decorative, monumental, pretty and pleasing;
The embalming, reconstruction and reproduction of ancient monuments and palaces;
Perpendicular and horizontal lines, cubical and pyramidical forms that are static, solemn, aggressive and absolutely excluded from our utterly new sensibility;
The use of massive, voluminous, durable, antiquated and costly materials.
AND PROCLAIM:
Read More
thekhooll:

Antonio Sant’Elia
My senior project in Architecture School owed a lot to this architect. For a brief while I became obsessed with the ideas and aesthetics that he taught. Antonio Sant’Elia was an Italian architect, that left no built legacy but was a key member of the Futurist movement in architecture. The manifesto Futurist Architecture was published in August 1914:
"COMBAT AND DESPISE:
All the pseudo-architecture of the avant-garde, Austrian, Hungarian, German and American;
All classical architecture, solemn, hieratic, scenographic, decorative, monumental, pretty and pleasing;
The embalming, reconstruction and reproduction of ancient monuments and palaces;
Perpendicular and horizontal lines, cubical and pyramidical forms that are static, solemn, aggressive and absolutely excluded from our utterly new sensibility;
The use of massive, voluminous, durable, antiquated and costly materials.
AND PROCLAIM:
Read More
thekhooll:

Antonio Sant’Elia
My senior project in Architecture School owed a lot to this architect. For a brief while I became obsessed with the ideas and aesthetics that he taught. Antonio Sant’Elia was an Italian architect, that left no built legacy but was a key member of the Futurist movement in architecture. The manifesto Futurist Architecture was published in August 1914:
"COMBAT AND DESPISE:
All the pseudo-architecture of the avant-garde, Austrian, Hungarian, German and American;
All classical architecture, solemn, hieratic, scenographic, decorative, monumental, pretty and pleasing;
The embalming, reconstruction and reproduction of ancient monuments and palaces;
Perpendicular and horizontal lines, cubical and pyramidical forms that are static, solemn, aggressive and absolutely excluded from our utterly new sensibility;
The use of massive, voluminous, durable, antiquated and costly materials.
AND PROCLAIM:
Read More
thekhooll:

Antonio Sant’Elia
My senior project in Architecture School owed a lot to this architect. For a brief while I became obsessed with the ideas and aesthetics that he taught. Antonio Sant’Elia was an Italian architect, that left no built legacy but was a key member of the Futurist movement in architecture. The manifesto Futurist Architecture was published in August 1914:
"COMBAT AND DESPISE:
All the pseudo-architecture of the avant-garde, Austrian, Hungarian, German and American;
All classical architecture, solemn, hieratic, scenographic, decorative, monumental, pretty and pleasing;
The embalming, reconstruction and reproduction of ancient monuments and palaces;
Perpendicular and horizontal lines, cubical and pyramidical forms that are static, solemn, aggressive and absolutely excluded from our utterly new sensibility;
The use of massive, voluminous, durable, antiquated and costly materials.
AND PROCLAIM:
Read More
thekhooll:

Antonio Sant’Elia
My senior project in Architecture School owed a lot to this architect. For a brief while I became obsessed with the ideas and aesthetics that he taught. Antonio Sant’Elia was an Italian architect, that left no built legacy but was a key member of the Futurist movement in architecture. The manifesto Futurist Architecture was published in August 1914:
"COMBAT AND DESPISE:
All the pseudo-architecture of the avant-garde, Austrian, Hungarian, German and American;
All classical architecture, solemn, hieratic, scenographic, decorative, monumental, pretty and pleasing;
The embalming, reconstruction and reproduction of ancient monuments and palaces;
Perpendicular and horizontal lines, cubical and pyramidical forms that are static, solemn, aggressive and absolutely excluded from our utterly new sensibility;
The use of massive, voluminous, durable, antiquated and costly materials.
AND PROCLAIM:
Read More